Artistic Studio
Jewelry
Worn Sculpture
Each piece begins as raw metal and is shaped, hammered, and set entirely by hand — small-scale sculpture made to move with the body. The same eye for form and light that drives the studio's larger work lives here too, just scaled down to something you can wear.
Untitled No. 1
Hand-forged in Sterling Silver, this ring draws on celestial, catching light along every hammered edge.
Untitled No. 2
A labradorite sits at the heart of this necklace, set in 14k Gold and shaped around botanical.
Untitled No. 3
This earrings pairs Rose Gold with an organic, flowing line, built to feel as good worn daily as it looks on a shelf.
Untitled No. 4
Texture is the story here — Oxidized Silver worked by hand into geometric minimalism, quiet until the light finds it.
Untitled No. 5
Set with opal, this pendant in Hammered Brass leans into vintage-inspired filigree for a piece that feels both grounded and unexpected.
Untitled No. 6
A study in restraint: White Gold formed around a brutalist texture, with amethyst added as a single point of focus.
Untitled No. 7
This brooch began as raw Mixed Metal and was coaxed, by hand, into wave-inspired curves — nothing rushed, nothing machine-made.
Untitled No. 8
Sterling Silver and black onyx come together in a ring built around an asymmetric, sculptural form, meant to be lived in, not just admired.
Untitled No. 9
Hand-forged in 14k Gold, this necklace draws on delicate lace-like openwork, catching light along every hammered edge.
Untitled No. 10
A aquamarine sits at the heart of this earrings, set in Rose Gold and shaped around a bold, architectural silhouette.
Untitled No. 11
This bracelet pairs Oxidized Silver with celestial, built to feel as good worn daily as it looks on a shelf.
Untitled No. 12
Texture is the story here — Hammered Brass worked by hand into botanical, quiet until the light finds it.
Untitled No. 13
Set with pearl, this cuff in White Gold leans into an organic, flowing line for a piece that feels both grounded and unexpected.
Untitled No. 14
A study in restraint: Mixed Metal formed around geometric minimalism, with lapis lazuli added as a single point of focus.
Untitled No. 15
This ring began as raw Sterling Silver and was coaxed, by hand, into vintage-inspired filigree — nothing rushed, nothing machine-made.
Untitled No. 16
14k Gold and labradorite come together in a necklace built around a brutalist texture, meant to be lived in, not just admired.
Untitled No. 17
Hand-forged in Rose Gold, this earrings draws on wave-inspired curves, catching light along every hammered edge.
Untitled No. 18
A turquoise sits at the heart of this bracelet, set in Oxidized Silver and shaped around an asymmetric, sculptural form.
Untitled No. 19
This pendant pairs Hammered Brass with delicate lace-like openwork, built to feel as good worn daily as it looks on a shelf.
Untitled No. 20
Texture is the story here — White Gold worked by hand into a bold, architectural silhouette, quiet until the light finds it.
Untitled No. 21
Set with citrine, this brooch in Mixed Metal leans into celestial for a piece that feels both grounded and unexpected.
Untitled No. 22
A study in restraint: Sterling Silver formed around botanical, with black onyx added as a single point of focus.
Untitled No. 23
This necklace began as raw 14k Gold and was coaxed, by hand, into an organic, flowing line — nothing rushed, nothing machine-made.
Untitled No. 24
Rose Gold and aquamarine come together in a earrings built around geometric minimalism, meant to be lived in, not just admired.
Untitled No. 25
Hand-forged in Oxidized Silver, this bracelet draws on vintage-inspired filigree, catching light along every hammered edge.
Untitled No. 26
A raw diamond sits at the heart of this pendant, set in Hammered Brass and shaped around a brutalist texture.
Untitled No. 27
This cuff pairs White Gold with wave-inspired curves, built to feel as good worn daily as it looks on a shelf.
Untitled No. 28
Texture is the story here — Mixed Metal worked by hand into an asymmetric, sculptural form, quiet until the light finds it.
Untitled No. 29
Set with moonstone, this ring in Sterling Silver leans into delicate lace-like openwork for a piece that feels both grounded and unexpected.
Untitled No. 30
A study in restraint: 14k Gold formed around a bold, architectural silhouette, with labradorite added as a single point of focus.
Untitled No. 31
This earrings began as raw Rose Gold and was coaxed, by hand, into celestial — nothing rushed, nothing machine-made.
Untitled No. 32
Oxidized Silver and turquoise come together in a bracelet built around botanical, meant to be lived in, not just admired.
Untitled No. 33
Hand-forged in Hammered Brass, this pendant draws on an organic, flowing line, catching light along every hammered edge.
Untitled No. 34
A amethyst sits at the heart of this cuff, set in White Gold and shaped around geometric minimalism.
Untitled No. 35
This brooch pairs Mixed Metal with vintage-inspired filigree, built to feel as good worn daily as it looks on a shelf.
Untitled No. 36
Texture is the story here — Sterling Silver worked by hand into a brutalist texture, quiet until the light finds it.
Untitled No. 37
Set with rose quartz, this necklace in 14k Gold leans into wave-inspired curves for a piece that feels both grounded and unexpected.
Untitled No. 38
A study in restraint: Rose Gold formed around an asymmetric, sculptural form, with aquamarine added as a single point of focus.
Untitled No. 39
This bracelet began as raw Oxidized Silver and was coaxed, by hand, into delicate lace-like openwork — nothing rushed, nothing machine-made.
Untitled No. 40
Hammered Brass and raw diamond come together in a pendant built around a bold, architectural silhouette, meant to be lived in, not just admired.
Untitled No. 41
Hand-forged in White Gold, this cuff draws on celestial, catching light along every hammered edge.
Untitled No. 42
This ring pairs Sterling Silver with an organic, flowing line, built to feel as good worn daily as it looks on a shelf.
